• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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readings & workshops
November 19

Poetry Reading: Santee Frazier & Franklin K.R. Cline

readings & workshops
November 21

Offsite Talk: Native American Identity & the Politics of the Poetic Image 

readings & workshops
December 3

Ultimate Truth Poetry Reading and Book Release

readings & workshops
December 6

Heddy Keith author of Through it All

readings & workshops
December 9

Poetry Reading: Tonya M. Foster & Samiya Bashir

performances
December 10

Alternating Currents Live presents Nicole Mitchell Quartet

special events
January 27 -28

24th Annual Poetry Marathon & Benefit

Archived performances
May 10 Sunday, May 10
10:00am, $10 | FREE for those who pledge a reader for $35 or more

 

This concert will reunite the first Transatlantic Bridge ensemble, who performed in Paris in 2013. Ensemble will include:

 

Douglas R. Ewart (reeds & winds)

Jean-Luc Cappozzo (trumpet & flugelhorn)

Joëlle Léandre (double bass)

Bernard Santacruz (double bass)

Michael Zerang (percussion)

 

Sonic Communion (The Transatlantic Bridge) is a quintet of free spirits – living at the crossroads, seeking to liberate them – brought together by magnetic forces. On the French side, we find trumpet player Jean-Luc Cappozzo and bass players Joëlle Léandre and Bernard Santacruz. And we know that the first and the second have, notably, both performed with George Lewis. The second and the third have, notably, both played with Nicole Mitchell. The first and the third have, notably, both performed with Charles Gayle, in Denis Fournier's quintet, and in their own quartet. On the American side, Douglas R. Ewart who, besides being an explosive visual artist, falls within the lineage of the iconoclast multi-instrumentalists of the AACM, such as Lewis and Mitchell; and Michael Zerang, who has already made his surfaces, skins, and metals resound, hiss, and squeak on the stages of Chicago and Europe. Their improvised music – that is to say, very much in/out of proportion to who they are collectively – is the adventurously passionate music of intersecting paths and chartered worlds.  - Alexandre Pierrepont, 2015