• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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performances
April 22

ACL presents Renee Baker Quartet, Visual Dark Scratch Suite

exhibitions
April 22

Woman: Frailty Thy Name, works by Renee Baker

readings & workshops
April 25

Reading: Toni Jensen

readings & workshops
April 26

Four Milwaukee Poets: Alix Anne Shaw with Annie Grizzle, Sam Pekarske & Bethany Price

readings & workshops
April 28

Wisconsin Reads: Reading with Louise Erdrich (video streamed to Woodland Pattern)

readings & workshops
May 2

Poetry Reading: Rena Priest and Denise Low

readings & workshops
May 2

Craft Talk with Denise Low at UWM

readings & workshops
May 10

Birds in Poetry at Urban Ecology Center

performances
May 13

Alternating Currents Live presents: The Transatlantic Bridge #11

readings & workshops
May 16

Kundiman Midwest Chapbook Series Noel Pabillo Mariano

performances
May 17

Formations Series for New & Improvised Music

readings & workshops
May 24

Poetry Reading: Urban Echo Poets

performances
June 3

ACL presents: Tom Hamilton & City of Vorticity

Archived performances
Nov 2 Sunday, November 2
7:00pm, $6 members | $7 students/seniors | $8 general

The latest incarnation of the international project the Transatlantic Bridge, bringing together creative musicians from France and Chicago, offers further explorations as Escape Lane. Alexandre Pierrepont, organizer of these projects, writes:

"A singularity, guitarist Jeff Parker sometimes seems to hammer away at his instrument, equipped with a grammar of undulations and oscillations whose natural flow he thwarts with an extremely rich vocabulary of noise. When many others are thundering on their instrument, Marquis Hill is unique in the sense that he would rather work on his structure—paradoxically woody—and deepen its network of ridges and sap. Joachim Florent, on the other hand, develops on his double bass thick broken and bumpy lines, whose volume he stretches and whose tentacles he stretches—with a slenderness that all but evokes some of his respected predecessors, from Charlie Haden on. This leaves the singular Denis Fournier, master of the art of fluttering on the ovals and lozenges of skins and metals, and on the dilated orbits of this drums—to the extent that it seems that he can vaporize rhythms. With him, with them, there is no doubt that there will always be a lyrical component in the midst of an enchanting improvisation; an improvisation that sings."