• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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exhibitions
October 6 -28

Exhibition - Ugly Duckling Presse: 25th Anniversary Celebration

readings & workshops
October 23

OFF-SITE: Creative Writers in Nonprofit Careers: Panel Discussion, Reading, and Reception

readings & workshops
October 25

Poetry Reading: Urban Echo Poets + Open Mic

readings & workshops
October 28

Poetry Reading: Kathleen A. Dale, Louisa Loveridge Gallas, Judith Harway, and Bill Murtaugh

film & video
November 2

Screening: aCinema presents // Retour //

readings & workshops
November 3 -3

Writing is Freedom (a high wire adventure) with elena minor

readings & workshops
November 3

Poetry Reading: elena minor & Paul Martínez Pompa

readings & workshops
November 6

Poetry Reading: Michael Dowdy

readings & workshops
November 6

Offsite Talk: Michael Dowdy @ UW-Milwaukee

special events
November 17

We Exist to Prove the Living Artist: 38th Anniversary Gala

performances
November 18

Concert: Alternating Currents Live presents The Bridge #15

performances
November 22

Formations Series for New & Improvised Music

readings & workshops
November 27

Reading: Theodore Van Alst Jr.

readings & workshops
November 28

Poetry Reading: Krystal Languell & Dominique Salas

readings & workshops
November 30

Poetry Reading: Anna Vitale and Daniel Owen

film & video
December 14

Film Screening: Riverwest Film & Video by Emir Cakaroz

performances
December 20

Formations Series for New & Improvised Music

Patricia Barone

Patricia Barone is a Milwaukee native and graduate of Marquette University, whose poetry has been anthologized by numerous publishers, including New Rivers Press and Prentice Hall. She is author of a novella, The Wind, and a book of poetry, Handmade Paper, both published by New Rivers Press. Her most recent poetry collection is The Scent of Water (Blue Light Press, 2013). Her awards include a Loft-McKnight Award of Distinction in poetry, a Lake Superior Contemporary Writers Award, and a Minnesota State Arts Board Career Opportunity Grant for a workshop with the Irish poet Eavan Boland.

Selected Poems

Survival

After the April blizzard,
we meet on the beach.
You torch the drift wood—
salt explodes in rainbows,
snow melt, steam and sizzle.
Lobsters hurtle down the dunes,
our kettle on the boil enough for all.

A man in pajamas brings a door
to sit on, our table. A girl finds wine
in rubble, and a boy holds a sea gull,
splinting its wing with his hands.
I'd live again for such a fire.

 

 

Seeing Through This World

Streetlight to streetlight,
through oil-slicked puddles,
no one removes a mask.

Inside, I slice chocolates,
and no one asks questions.
No glass in the caramel.
No razor in the cake.

Claire in her pink tutu pirouettes
to Offenbach's Bluebeard.
As she unwinds her spin,
my old Polaroid steals her whirl.

A flash and she emerges from the cloud—
green morphing peach, her hands
cupped above her head, her gauzy dress
blanched white, each black eyelash etched
then thinned, skin pallid, exposed.

As the trumpets fade,
the ghosts and clowns stop capering.

I pluck their sticky image out—
Children rising from the photo
forget to smile.

Looking back an era later,
by minutes or a century, we see

how Claire's arm lifts
and curves at the elbow, arabesque,
as she holds the poisoned apple of the world.

 

 

Blake's Beautiful Failure

Men stacking sheaves complain of the heat. Above one tree
on Peckham Rye, the air is filled with a host of clear wings.

Below is William, a hunched engraver who pushes his burin
to score a line not drawn by chance in the copper plate:

Yahweh and snake entwine, devils pulling Job below.
Soon they'll grab this ink-stained fool, old William.

Not the boy he was at nine years old—Will Blake,
who saw such visions! Gray-haired William weeps.

Like Job, he can't dispel devils or call prismatic angels.
He remembers a silver tree, bent low in a deasil wind.

Angels multiply in rainbows for young Will. The Seraphims' toes
skim the hedgerow and glide the whitebeam's low crown,

slowing the spinning leaves. Again, old William sees
a downy nimbus around each leaf; hair ripples in sunless light.

As the tree uplifts its cargo, Cherubim unsheathe
the carmine scales on each unopened bud.

They peel the laurel-green shells, as thin
as the skin on William's eye lids,

revealing creamy nipples; petals of each flower
unfurl. Stars on trembling petioles throng branches,

replacing angels' feet—Thrones and Dominions leave
but hover while petals fall. Will cries for fragrance and feathers.

William knows how ripeness turns to rot, how spent russet leaves
flame on dregs of grapes, called rape—only good for vinegar,

bad dreams: Ammonia fumes rise to old William's nose,
and he wakes Job before the fiends can chain him.

Men stacking sheaves complain of the heat. Above one tree
on Peckham Rye, the air is filled with a host of clear wings.