• Address 720 East Locust Street | Milwaukee, WI 53212
  • Phone 414.263.5001
  • Hours Tue-Fri 11-8pm | Sat-Sun 12-5pm | Closed Mon
  • Hours Tue-Fri 11-8pm, Sat-Sun 12-5pm, Closed Mon
Event Calendar
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performances
April 19

Alash Ensemble

special events
April 21

Join us for the 13th annual RIVERWEST FOLLIES variety show

performances
April 22

ACL presents Renee Baker Quartet, Visual Dark Scratch Suite

exhibitions
April 22

Woman: Frailty Thy Name, works by Renee Baker

readings & workshops
April 25

Reading: Toni Jensen

readings & workshops
April 26

Four Milwaukee Poets: Alix Anne Shaw with Annie Grizzle, Sam Pekarske & Bethany Price

readings & workshops
April 28

Wisconsin Reads: Reading with Louise Erdrich (video streamed to Woodland Pattern)

readings & workshops
May 2

Poetry Reading: Rena Priest and Denise Low

readings & workshops
May 2

Craft Talk with Denise Low at UWM

readings & workshops
May 10

Birds in Poetry at Urban Ecology Center

performances
May 13

Alternating Currents Live presents: The Transatlantic Bridge #11

readings & workshops
May 16

Kundiman Midwest Chapbook Series Noel Pabillo Mariano

performances
May 17

Formations Series for New & Improvised Music

readings & workshops
May 24

Poetry Reading: Urban Echo Poets

performances
June 3

ACL presents: Tom Hamilton & City of Vorticity

Paul Druecke

Paul Druecke's projects employ a range of approaches—literary, interventionist, photographic—that build upon and cross-reference one another. His work was included in the 2014 Whitney Biennial and has been exhibited throughout the United States and in Europe. A co-authored discussion of his work will be included in the forthcoming Blackwell Companion to Public Art. He's an invited 2014 Resident at the Zentrum für Kunst und Urbanistik in Berlin. Two books, Life and Death on the Bluffs (2014), and The Last Days of John Budgen Jr. (2010), have been published by Green Gallery Press.

Selected Poems

from Life and Death on the Bluffs

 

*     *     *

We agreed there should be a chorus, but disagreed about its cadence, substance, the potential of collective voice. Reasonableness needed to be open to interpretation. I proposed the well-intentioned troupe morph into an unruly group of tricksters, situational absolutists, irreverent in their complexity. My chorus jangled. Like a riotous pack of drunkards, they shouted from the edge of the stage and insulted the myths of fate and justice.
 

*     *     *

Traffic jams are community events of a sort, people sharing the same experience through the technology of the automobile. A technology at once utopian and alienating, numbing and visceral. Traffic flows smoothly past the burial mound, she watched the relentless stream of unfamiliar faces reminding her that everyone travels with their own importance.
 

*     *     *

Everyone travels with their own knowing.
 

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